It s like a wall of sound coming at you, listening to the planet from outer space, says Karl Wallinger of the final mix. It s a real world-view of music, a snapshot of the music-making continents at that time. It s a more apt time to release it now than ever before. I think it s actually gathered weight with time, because it s people from all over the world playing together, just getting on together. There s an iconic aspect about that which is probably more important now. Things have become more partisan. It s a timely reminder of how you can cooperate.
Big Blue Ball s songs were created and recorded between 1991 and 1995, but the album has been an active work-in-progress at Real World ever since, a labor of love with ace producer Stephen Hague working closely with Peter Gabriel and Karl Wallinger. Holding the disparate elements in place is the powerful backbone of big drum tracks underpinning many of the songs. Wallinger says, Everyone was in orbit around this groove, and there is a universal language of dance, of dance grooves. That groove is the one bit that s non-denominational on the album.
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Big Blue Ball is the long-awaited, much-anticipated collection of stand-out tracks culled from t更多>
Big Blue Ball is the long-awaited, much-anticipated collection of stand-out tracks culled from the all-star, pan-global collaborations that took place over three years of Peter Gabriel s legendary Recording Week gatherings at his state-of-the-art Real World Studios in the English countryside.
It s like a wall of sound coming at you, listening to the planet from outer space, says Karl Wallinger of the final mix. It s a real world-view of music, a snapshot of the music-making continents at that time. It s a more apt time to release it now than ever before. I think it s actually gathered weight with time, because it s people from all over the world playing together, just getting on together. There s an iconic aspect about that which is probably more important now. Things have become more partisan. It s a timely reminder of how you can cooperate.
Big Blue Ball s songs were created and recorded between 1991 and 1995, but the album has been an active work-in-progress at Real World ever since, a labor of love with ace producer Stephen Hague working closely with Peter Gabriel and Karl Wallinger. Holding the disparate elements in place is the powerful backbone of big drum tracks underpinning many of the songs. Wallinger says, Everyone was in orbit around this groove, and there is a universal language of dance, of dance grooves. That groove is the one bit that s non-denominational on the album.
