Yma Sumac

小簡介
1928年生于秘魯安地斯山脈附近的小城市，擁有四個半八度的恐怖音域，1950年發(fā)行的第一張專輯Voice
of Xtabay在當年一炮而紅，我至今也想不出來這些聲音到底是如何從人類的喉嚨唱出來，專輯的第8首歌曲"Chuncho"，Sumac試圖模傲安地斯山境內野生動物的鳴叫聲，曲末那段高音長鳴，足以直達所有聽者骨髓深處，以她的段數(shù)，要唱莫札特的魔笛大概只需三成功力，即便要唱第五元素中Leeloo那段歌曲，只怕也非難事。
Yma Sumac的唱功，風格和聲音都自成一格。她是用美聲的聲音來唱的，但她模仿動物聲音卻唯肖唯妙。她唱得很高，但她的中低音厚實。她唱的多是有南美風情的音樂（有的不能稱之為歌曲，因為她的聲音都和音樂溶成一體了）。她也能作曲，自言有四千多首作品，而她的唱片中很多作品都是她和她那時的丈夫合作的，但在唱片上作曲人的名字上卻沒有她。
從一九五零年出道，她只出過三張唱片（后來她的唱片公司把她以前的錄音整理成五張ＣＤ）。自從她因為丈夫在事業(yè)上欺騙她而離婚后就沒有再出唱片，但她到今天七十多歲了仍在登臺演唱。
作為歌唱家， Yma Sumac可說是前無古人后無來者。特別的聲音，特別的風格，特別的技巧，都是別人學不來的，也無人敢學。她的音樂不一定每個人都喜歡聽，但不能否定她在音樂史的獨特位置。
by Stephen Thomas Erlewine & Cub Koda
A singer with an amazing four-octave range, Yma Sumac was said to have been a descendant of Inca kings, an Incan princess that was one of the Golden Virgins. Her offbeat stylings became a phenomenon of early-'50s pop music. While her album covers took advantage of her strange costumes and voluptuous figure, rumors abounded that she was, in actuality, a housewife named Amy Camus. It mattered little because there has been no one like her before or since in the annals of popular music.
According to the Sumac legend, she was the sixth child of an Indian mother and an Indian/Spanish father, who raised her as a Quechuan. She began performing in local festivals before her family moved to Lima, Peru. Once she was in Lima, she became a member of the Compania Peruana de Arte, which was a collective of nearly 50 Indian singers, musicians, and dancers. Sumac married Moises Vivanco, the leader of the Compania, in 1942. Four years later, Vivanco, Sumac, and her cousin Colita Rivero formed the Inca Taqui Trio and moved to New York. By the end of the decade, they were performing in nightclubs throughout New York and playing radio and television programs, most notably Arthur Godfrey's TV show. The Trio also became a fixture on the Borscht Belt circuit and the Catskills.
Sumac was signed as a solo artist to Capitol Records in 1950, releasing her first album, the 10" Voice of the Xtabay, the same year. Voice of the Xtabay was released without much publicity, but it slowly became a hit and Capitol began pushing Sumac with a massive marketing campaign. In 1951, she made her Broadway debut in the musical Flahooley, which featured three songs written by Vivanco; the musical's lifespan was quite brief and it completed its run by the end of the year. Nevertheless, Sumac's career was ascending at a rapid rate, as she continued to release hit records and played sell-out concerts across the country, including one at the Hollywood Bowl and another at Carnegie Hall. She also toured Europe and South America, as well as Las Vegas nightclubs. In 1954, she appeared in a movie called Secret of the Incas, which starred Charlton Heston.
By the end of the '50s, Sumac's audience had begun to decline and she was no longer as hip as she was in the first half of the decade. Sensing the erosion of her popularity, Sumac retired in the early '60s, without leaving any word or her location. She performed a handful of unannounced concerts in the mid-'70s, and in 1987 she played New York's Ballroom nightclub for a total of three weeks; she also had a stint in a Los Angeles club that same year. She followed these shows with occasional concert dates around the world.
Though Sumac did not perform frequently in the '90s, she experienced a popular revival, as a cult of alternative music fans discovered the exotica records of the '50s. The ongoing interest in exotica and Sumac led to the CD release of her catalog in 1996.