The Young Gods

小簡(jiǎn)介
The Young Gods和Pitchshifter、Godflesh等樂(lè)隊(duì)一起，是大量使用技術(shù)對(duì)金屬樂(lè)結(jié)構(gòu)進(jìn)行扭曲改造的最早的一批樂(lè)隊(duì)。他們?cè)缭?0年代早期就以面對(duì)社會(huì)的勇敢精神，讓人想起英國(guó)朋克和美國(guó)硬核的早期歲月。
樂(lè)隊(duì)融合了NIN式的神經(jīng)元素和Das Ich的黑暗哥特氛圍，同科技舞曲混雜，創(chuàng)出一種獨(dú)特的工業(yè)金屬模式
Swiss electro-noise terrorists the Young Gods traced their origins back to 1982, when Geneva-based frontman Franz Treichler, increasingly bored with his then-current new wave band, began experimenting with a small sampler. Influenced as well by the visceral power of punk and the grand drama of classical music, he began creating abrasive guitar and drum loops, and with sampler Cesare Pizzi and percussionist Frank Bagnoud, founded the Young Gods in 1985; named in an honor of a Swans composition, the trio debuted a year later with Envoyé!, a brief, blistering single distilling their assaultive sound to its core. Produced by Swan Roli Mosimann, their self-titled debut LP followed in 1987, and was named Album of the Year by the British music weekly Melody Maker; by the time of the follow-up, 1989s LEau Rouge, drummer Use Heistand had replaced Bagnoud, and with the release of 1991s The Young Gods Play Kurt Weill, Pizzi was gone in favor of sampler Alain Monod. T.V. Sky followed in 1992, while 1995s Only Heaven flirted with ambient textures; two years later, the Young Gods (minus Heistand and with new drummer Bernard Trontin) returned with Heaven Deconstruction.