Charlie McCoy

Charlie McCoy被認為是最偉大的鄉(xiāng)村音樂口琴手之一。從1960年開始，他錄制的曲目超過了6000首，自己也有許多的專集。McCoy 8歲的時候得到了自己的第一把口琴，在佛羅里達和西佛吉尼亞度過了大部分童年時光，那時他就開始演奏布魯斯和鄉(xiāng)村風格的音樂。鄉(xiāng)村音樂明星Mel Tillis聽了他的演奏建議他到Nashville工作。在音樂室工作的第一周，McCoy與Ann-Margaret、Roy Orbison合作的唱片就獲得了非常好的銷量，這使他成為在鄉(xiāng)村音樂領(lǐng)域最受歡迎的口琴手之一。他曾與Bob Dylan合作過并出版了3張專集，也曾在Simon 和 Garfunkle的&The Boxer&里演奏過低音伴奏。70年代他與人組建了Area Code 615樂隊。雖然樂隊維持時間不長但它卻給鄉(xiāng)村及搖滾音樂領(lǐng)域帶來了很大的沖擊。McCoy在1969年開始錄制獨奏專集，充分展示了他非凡的口琴才能。McCoy直到今天仍活躍在舞臺和錄音室。
 
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Charles Ray &Charlie& McCoy (born March 28, 1941 in Oak Hill, West Virginia) is an American session musician noted for his work on a wide variety of instruments. In his career, McCoy has backed several notable musicians including Bob Dylan, Johnny Cash, Tom Astor, Elvis Presley and Ween. He has also recorded thirty-seven studio albums, including fourteen for Monument Records. Thirteen of his singles have entered the Billboard country charts. He was a member of Area Code 615 and Barefoot Jerry. (wiki)
 
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by Jason Ankeny
 
Charlie McCoy was perhaps the definitive Nashville session musician, a multi-talented performer best known for his harmonica playing and whose mastery of the instrument virtually defined its role within the context of modern country music. Though born in West Virginia on March 28, 1941, Charles Ray McCoy was raised in Miami, FL, where he first picked up the harmonica at the age of eight. By his mid-teens, he was playing harmonica and guitar in an area rock & roll band, and a few years later graduated to traveling the Florida rock and country circuits as a backup performer. At one local gig, he met Mel Tillis, who instructed McCoy to move to Nashville, which he did in 1959. After finding little work as a session player, he journeyed back to Florida, where he began studying musical theory and taking vocal lessons in addition to work as an arranger and conductor.
 
In 1960, McCoy auditioned as a guitarist for singer Johnny Ferguson, only to learn that the opening had been filled. Ferguson was still looking for a new drummer, however, so McCoy bought a kit, learned to play, and won the job. After contacting Tillis, he was introduced to agent Jim Denny, who helped the upstart musician find some work in Nashville. McCoy's first session was Roy Orbison's 1961 &Candy Man,& and within months he was one of the most sought-after players on the scene. He also toured extensively as a drummer in Stonewall Jackson's band throughout the early '60s and released a handful of solo singles.
 
By the mid-'60s, McCoy was a fixture on Elvis Presley's Nashville and Los Angeles sessions, and in 1965, he began working with Bob Dylan, appearing on a string of legendary LPs that included Highway 61 Revisited, Blonde on Blonde, John Wesley Harding, and Nashville Skyline. As a result, McCoy became as much in demand among rock and folk artists as he was within the Nashville community and began performing with the likes of Ringo Starr, Al Kooper, Gordon Lightfoot, and John Stewart. At his peak, he was performing on over 400 sessions annually.
 
In 1969, McCoy joined the country-rock band Area Code 615, with whom he recorded a self-titled LP, followed by A Trip in the Country in 1970. Also in 1969, he released a solo effort, The Real McCoy; while the album garnered little notice at the time of its release and was quickly deleted, in 1971 a Florida DJ began playing the track &I Started Loving Her Again& to massive listener response. A single was soon available, and the song reached the Top 20 in 1972. Even as his solo career began taking off, McCoy remained a constant in Nashville studios, and in the early '70s alone he worked with Paul Simon, Joan Baez, Kris Kristofferson, Leon Russell, and Steve Young.
 
When the remnants of Area Code 615 reformed as Barefoot Jerry, McCoy signed on and, with the group, issued three albums -- 1975's You Can't Get Off With Your Shoes On, the following year's Keys to the Country, and 1977's Barefootin'. At the same time, he played on records for Waylon Jennings, Tanya Tucker, and Wanda Jackson and also began a tenure as the musical director for the country comedy program Hee Haw, where he remained for many years. In 1978, he played England's Wembley Festival with Lloyd Green, and his popularity across the Atlantic soared. In the 1980s, he toured Europe frequently and began recording extensively there as well. By the early '90s, McCoy had cut back considerably on his studio work, although he continued to play with many prestigious artists. In 1996, he led a number of Nashville studio luminaries like the Jordanaires, Russ Hicks, Hargus &Pig& Robbins, and Bobby Ogdin during the sessions for the cult duo Ween's 12 Golden Country Greats.